selenak: (Breaking Bad by Wicked Signs)
([personal profile] selenak Nov. 16th, 2025 01:59 pm)
An episode that felt a bit like it was (stylishly) treading water, but in its last ten minutes did make up for it.

Spoilers somehow have never watched a single episode of Golden Girls… )
yuletidemods: A hippo lounges with laptop in hand, peering at the screen through a pair of pince-nez and smiling. A text bubble with a heart emerges from the screen. The hippo dangles a computer mouse from one toe. By Oro. (Default)
([personal profile] yuletidemods posting in [community profile] yuletide_admin Nov. 16th, 2025 05:11 pm)
Every year, well over a hundred pinch hitters take on extra assignments. Many of these pinch hitters are signed up to Yuletide, with an assigned writer and recipient from the start. Some are not!

Though these supporting pinch hitters are not guaranteed a gift, we'd like to make it a possibility. On this post, we're collecting prompts from the pinch hitters who are not signed up to Yuletide, so that others may give them treats.


To writers
Please consider writing a treat for a pinch hitter! See instructions for how, where, and when to post a treat. Full-length gifts for pinch hitters are welcome in the Main collection.


To pinch hitters
If you are signed up to Yuletide this year, this post does not apply to you, but we still hope you enjoy your gift(s).

If you are not signed up to Yuletide this year but you have claimed or posted a pinch hit, please comment to this post with your requests! Please limit yourself to Yuletide-eligible fandoms, but you can ask for more than 8 different fandoms.

Yuletide 2025 tag set on AO3
Tag set as a browser app

You can treat your comment as a Dear Writer letter, with likes and prompts, or include a link to a letter. Either way, please include the following information when you comment:

-your AO3 name
-your requested fandoms [please format the fandoms exactly as they are in the tag set if possible]
-your requested characters

and, optionally, ideas for what you would like to receive, DNWs, and/or (a) link(s) to other places where you have written about what you would like. You're welcome to comment on mini-challenge posts!


Thank you, pinch hitters! And thank you to anyone on the lookout to pick up a pinch hit - we will post them at [community profile] yuletide_pinch_hits throughout the exchange.



Schedule, Rules, & Collection | Contact Mods | Participant DW | Participant LJ | Pinch Hits on DW | Discord | Tag set | Tag set app

Please either comment logged-in or sign a name. Unsigned anonymous comments will be left screened. And specifically, if you would like to get a treat, we need your AO3 name so we know whom to give it to!

selenak: (Malcolm and Vanessa)
([personal profile] selenak Nov. 12th, 2025 10:50 am)
The short version: visually gorgeous (I expected no less from del Toro), well acted, but alas, it reminds me of nothing as much as a certain type of fanfiction - grovelfic, in lack of a better term - I used to find annoying back in the Highlander days, aka the ones where not only Cassandra is the true villalin but Methos was the fluffiest Horseman of the Apocalypse ever and Duncan profoundly apologizes. I mean, it's not that extreme, because Victor is something of an narcissistic jerk in the novel (though not only), and the Creature, who is my favourite character in it anyway, is very much the product of unearned abuse before he starts dealing out death and horror, but good lord. What Del Torro did in his version is really the type of fanfic that absolves the favored woobie (or do we say blorbo these days?) from any wrongdoing whatsoever, thereby unintentionally taking something crucial from what makes the character away, and shoves it upon the unfavourite. And that's before we get to "hat is the geography of this story anyway?" and "why got spoiler engaged to spoiler in the first place?" Mind you, if I had never ever read the novel, I suspect I might have loved the film, beccause as I said - terrific looks and good acting - but as it is, I have to consider the adaptation aspect, and here I have to say Penny Dreadful remains uncontested champion for best rendition of both the Creature (Caliban, just that there is no misunderstanding) and Victor Frankenstein in both their flaws and virtues and (Mary) Shelleyan themes. Runner up isn't this one, but the Branagh movie, which, yes, Kenneth Branagh in his slightly megalomaniac self indulgent Coppola phase, and he softens Victor's characterisation a bit (though not to the degree Del Toro softens the Creature's), but still, of all the adaptations I've seen, it probably sticks the most to the actual novel. (While Penny Dreadful's versions of the Creature and Frankenstein stick most the the spirit and characterisation.) (James Whale's two Frankenstein movies are their own artistic creations which while founding the pop culture idea of both the scientist and the creature are really their own independent things, sharing little but names and not even those at parts.)

The spoilery version wonders whether everyone is telelporting at different plot points )

In conclusion: maybe do an original script the next time, del Toro? I really wonder whether the crazy geography and all the other technical issues would have mattered to me if I hadn't been comparing book and film, or whether I would allowed myself being swept away by the spectacle, and the characters as presented in the movie. But I do suspect some of the characterisation questions would still have remained.
selenak: (Jimmy and Kim)
([personal profile] selenak Nov. 9th, 2025 01:03 pm)
Pluribus is the new show Vince Gilligan created, and whose first two episodes premiered on Apple TV, with Rhea Seahorn as the main character. After her stunning performance as Kim Wexler in Better Call Saul, it seems Gilligan felt inspired, and no wonder. I still think her not winning any awards of what she did with Kim is one of the great injustices of tv world. Anyway: While the show is set in Albuquerque like Breaking Bad and Better Call Saul, it belongs to a quite different genre and in a way has Gilligan go back to his X-Files roots. With the stunning cinematography of BB/BCS, and some (based on those first two eps) great twists on the whole invasion/hive mind/zombie tropes and genre. Also, Gilligan's and his fellow artists ability to quickly create three dimensional feeling side characters with just a few minutes of screen time shines, and the way he can connect visceral emotion and horror on the one hand and black humour otoh.

Spoilers are wondering just what saving humanity really means )

I'm really looking forward to seeing more of how the show continues to deal with those questions. Well done, Gilligan, I'm hooked!


****

In other news, having recently made a trip to Vienna, I posted a gigantic historically themed pic spam here!
philomytha: Biggles and Ginger clinging to a roof (Follows On rooftop chase)
([personal profile] philomytha Nov. 8th, 2025 11:14 am)
Even more of Manning Coles's Tommy Hambledon books, this is proving a wonderfully entertaining series and I am having a blast with it all - the books are pretty light-hearted, with lots of humour but also plenty of adventure and twists and turns of the plot, and the characters are all vivid and delightful.

Green Hazard
Tommy Hambledon goes undercover in Switzerland trying to find out more about a mysterious Swiss chemist who may have invented a new and exciting form of explosive. Unfortunately, the Nazis also want this Swiss chemist and his explosive, and also the Swiss chemist is not at all who he seems, and within a very few pages Hambledon has been abducted by the Gestapo who believe him to be the Swiss chemist, and is set up with a laboratory in Berlin and ordered to make novel explosives. Excellent undercover hijinks, with Hambledon deciding his best defence against knowing zero chemistry is to be the most bad-tempered, arrogant and annoying scientist ever, while trying to avoid anyone who knew him the last time he was undercover in Berlin in a totally different identity only a few years earlier. Another tremendous undercover adventure with all the frills you can hope for and Hambledon coming up with a superb way to finally extricate himself from the situation. I had a great time with this one.

The Fifth Man
Five British soldiers are taken from POW camps in Germany and persuaded to return to England as spies for the Nazis. Four of them surrender to the British police or are killed as soon as they arrive. The fifth does something very different. I am really liking how Manning & Coles are introducing new sets of characters for their books as well as having continuity with the recurring characters, and the lead character of this book, Anthony Colemore, is fantastic. Colemore was a petty criminal and smuggler who broke out of prison in England, fled to the Continent, decided he wanted to fight Nazis so wound up in the French army just in time for the fall of France, quickly changed identities and uniforms with a dead British officer to get better treatment and promptly ended up in a POW camp where the Germans identified his newly assumed identity as a close relation of a British Fascist and invited him to spy for them. And it only gets more complicated from there, Manning & Coles love playing with false identities for all their characters and wringing every possible trope they can out of them, and it's great. Hambledon is largely in the background for this, running Colemore as an agent but not doing much in the plot, but Colemore is more than strong enough as a character to carry the story, he is the sort of character who should get recruited by Miles Naismith for the Dendarii Mercenaries, he loves taking initiative and showing off how good he is and is endlessly resourceful at making his schemes work. I also shipped him tremendously with another fascinating character, the ingenuous young German officer he escapes with from a British POW camp, who is also not all he seems.

A Brother For Hugh (also titled With Intent to Deceive; also online lists vary about the order the series should go in, but this one is definitely next)
The first post-war adventure, again with new characters. James Hyde has had a very boring life working for his father's business and never going anywhere. But when his father dies, James sells the business and discovers he's a rich man, and starts to think he wants adventure. Meanwhile, Hugh Selkirk looks extremely like James, but while James has barely left Yeovil in his life, Selkirk is dashing and well-travelled British-Argentine businessman with a serious problem: a gang of mafia-style crooks stole some Nazi gold stashed in Argentina, Selkirk stole it from them, and both the gang and the remaining Nazis are hunting him. Selkirk and James meet, James tells Selkirk he wants adventure, and since they resemble each other, Selkirk suggests they have a mini-adventure by swapping identities for a few days. He doesn't mention to James that he's being hunted by both the mafia and also the Nazis. James Hyde settles down in Selkirk's hotel with Selkirk's devastatingly competent manservant Adam looking after him (they are very shippable, and Adam is Not What He Seems) and it's all going well until someone shoots Selkirk and a crook tries to break in through James's hotel window. Another one where Hambledon's role in the plot is largely confined to following around collecting up the assorted gangsters that are being left giftwrapped around the place. Also there's an adorable heavily-implied-to-be-gay couple in this who run a model railway shop together and have a fantastic time aiding and abetting Selkirk and his friends and thwarting the police.

Let The Tiger Die
I have no idea what relationship the title has to the book, but it's a great title. After all the new characters, we're back to Hambledon taking the lead when his Swedish holiday is interrupted by his own urge to run around investigating things that look a little weird. Being Tommy Hambledon, within a chapter he's wanted for murder and been abducted twice in rapid succession and in possession of some mysterious documents, and he doesn't know why. It turns out some communists are trailing around Europe assassinating stray wanted Nazis, and because Hambledon stepped in when he saw an assassination taking place in the street, now the stray wanted Nazis think he's one of them, and the communists want to assassinate him too. This involves a ridiculous and fantastic chase across Europe from Stockholm to Cadiz. Even better, Hambledon decides to call in James Hyde and the gay model railway couple from the previous book to help him with his scheme to avoid the assassins while unravelling the entire fugitive Nazi organisation and its plan to restore the Third Reich all in one go. Tremendous fun and even more identity porn as Hambledon pretends to be himself, the guy just adores his fake identities and they're always fun to watch.
Busy, busy days. Some media consumed in the last weeks were:

The Diplomat, Season 3: I was afraid the same would happen as with The West Wing - which series creator Deborah Cahn had also been involved in - , i.e. the reality I live in would make it impossible for me to watch a show in which the people working for the US administration might be fucked up in varying degrees, but all sincerely dedicated to the common good in terms of their motivation, and by implication the US public would not vote a creature like the Orange Menace into office (twice). (Hence my personal impossibility of a WW rewatch right now.) This turned out not to be the case. By and large, I enjoyed the season, though its global dangers not withstanding, I would still rather live in that reality (where the US President might do spoilery things ), but would not want to change the US into a mixture of ultimate corruption and theocratic autocracy, and the British PM is still a Boris Johnson expo with the thinnest of egos, but at least Nigel Farage doesn't exist. (BTW: it's not clear where The Diplomat's timeline departs from ours; resident Rayburn was clearly a Joe Biden avatar when the show started and there is some occasional talk about restoring the US image abroad, but they never say from what, and whether the Orange Menace's first assault on democracy happened or whether something else did.) Seaosn 3 deals with the fallout from season 2's cliffhanger ending, throws in some new twists (and characters), andwhile wrapping up its seasonal storyline again throws in a tag scene with a big new reveal/hook, while playing to its two strengths, i.e. bringing its central character into a series of convoluted political situations in which she has to extricate not just herself but others (including the US and GB), and her screwed up but intense relationship with her husband. More spoilery observations to follow. ) In conclusion, I continue to like this entertaining AU. I hope it gets another season, though if it doesn't, this finale despite its last moment reveal would also work as a finale.


The Fantastic Four: First Steps : Which I missed in the cinema but which is now on Disney +. Personal state of knowledge: I saw none of the earlier Fantastic Four movies, to which this one isn't connected anyway; the comicverse characters I encountered a) in an historical AU version via the comics 1602, and b) in the comicverse Civil War storylilne, which means I hardly saw them at their best. (Unforgotten: Reed Richards fanboying Joe McCarthy.) I'm happy to report these latest MCU versions are a delightful bunch, living in a canonical alternate universe (818) in the 1960s, and keeping in trend with both MCU Spiderman and the latest DCU Superman, we're not going through the origin story again but the movie introduces us to the character(s) when they're already superheroiing, albeit not that long. The cast includes Vanessa Kirby as Sue Storm, Pedro Pasqual as Reed Richards, and Joe Quinn, since Stranger Things a Geek celebrity, as Sue's brother Johnny, with the unknown-to-me Ebon Moss-Bachrach playing Ben Grimm. Something that struck me as very sympathetic is that the movie treats the four as a true ensemble, i.e. Johnny and Ben aren't the sidekicks, and that the central dilemna when it's revealed and which is spoilery )
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